Trondheim appears determined to guarantee himself a place on everyone’s Best Of lists on an annual basis. Everything about the strips, the humor, the coloring, the observations about our cultural standards, is warm and inviting. Trondheim’s self-effacing wit remains strong. Little Nothings has become the most welcome, positive and anticipated book of the year. Trondheim’s established himself as one of the world’s great cartoonists, and this volume can only grow the legions of fans he’d earned around the world.
It’s breezy, delightful, makes the heart glad, and has nothing much more on its mind than drinking in everything around it. Little Nothings is composed of small moments that can at times seem apropos of, well, nothing, but that build into a compelling, quietly humorous, and satisfying series of observations. Trondheim’s brilliance as an artist is on full display, as he renders various settings in meticulous detail, retaining a fluidity largely created by an instinct for color choices that makes the art light yet grounded.
He’s hilarious and a master at framing small moments into punchlines. his style, depicting characters as anthropomorphic animals, is enormously expressive & clever. Trondheim is a master of connecting micronarratives and simultaneously embuing them with a wide range of emotional possibilities. He’s a born storyteller.