THINGS UNDONE was conceived while I was neck deep in coloring =THE OVERMAN=. Considering this was a labor of love I really wanted to have an easier project that I could rip through in no time that would be a lot of fun. I’m not a comic book colorist, I can’t crank out a page a day. I’m more like a painter who has to deliberate on all the possibilities.
I’m a big fan of printing processes from days of old. I like the way things looked whether it be in old magazines, illustrated books or even packaging. Oftentimes I take my direction from such ephemera when it comes to the overall look and feel of a project. I try to distill down how it can help give the atmosphere of a by-gone era through printing if not artistic style. Sometimes I succeed and even if I don’t at least it looks interesting to me and not typical of what’s out there.
It’s about the layers for me. Usually at first glance people will judge a book or anything by the way it looks or feels. If I can provide richness that’s worth drilling down to I hope that in some ways people my not realize what they’re responding to, especially if it’s a whole cohesive package. I think it was David Mazzuchelli’s Rubber Blanket books that really appealed to me early one. Just the quality of the packaging as well as how he and Richmond Lewis treated the art really felt special.