“Liberge’s illustrations are very strong. Detailed and moody, each page swirls with dark colors, and Liberge’s strong character work enables readers to immediately emphasize with Bastien and those around him.”
“One of the strangest yet most haunting novels I have been privileged to read.”
Adding another review (4/19) which appears on both Omnivoriacious And Shelfari:
“Perhaps the only thing standing between Liberge and true disbelief is his amazing artwork, which renders the museum and its contents in a dazzling light. Statuary and paintings that you may even have seen in the Louvre, which you may take for granted, become startlingly new due to Liberge’s approach.
I also applaud this willingness to look strange. This is a very dark series, and it speaks volumes that the Louvre’s trustees and administrators seem to revel in allowing others to create odd myths about the museum.”
Alas, though, many reviewers, such as Andrew Wheeler at Antick Musings or Capt. Comics at Scripps News, are not shining to Bastien, the main deaf character, because of his surly behavior. But the man does have a legitimate chip on his shoulder: living as a deaf person in a society that doesn’t understand him, and it is this rebel in him, not always likable, that makes him the right candidate for ‘hearing’ the works of art’s complaint, as it were…