The Story of Lee – Thats reality part 2

I posted a bit before about some of the real life things and people in SOL, and here is more. On page 146 Matt and Lee go into ‘Page One’ books. This is a real place, in the ‘Times Square’ part of Hong Kong. It’s an excellent bookshop, with a sizeable graphic novel and manga section.  The illustrated version of Proust that Lee looks at is actually published by NBM, and I really did find that in the shop there. On the shelves next to it is ‘Hagakure’, which is a historical manga written by me and also drawn by SOL artist, Chie Kutsuwada. Just my little joke, sticking that in, as it hand not been published yet. Then underneath that is the book ‘As you like it’, which Chie Kutsuwada adapted from our pal Shakespeare, who knew how to knock em out!

On page 147, they go past ‘Chung King Mansions’, an infamous big block full of little, cheap hotels in the Tsim Sha Tsui part of HK. You may have heard of it from the film 1994 ‘Chungking Express’ by Wong Kar-Wai. I stayed there for 3 nights on one occasion, before a friend told me it was a very dangerous place, and several people had been murdered there. I didn’t know this at the time, and thought it was probably a bit exaggerated. But upon checking it out later I found that it does indeed have a rather unsavory character, and not just because of the cheap curries served there!
A Danish tourist was killed in the mansions in 1988 due to a fire and no safety exit. And an Indian lady was murdered in 1995. Later than year more than 40 people were arrested or drug trafficking and illegal entry. On the other hand, it has recently been estimated to play host to people from more than 120 countries and to be a key example of ‘globalization in action’.

As to my experience I found the curries that Indian’s serve on the ground floor to be delicious, and the big mix of people there was kind of interesting. Even though the rooms are VERY basic and small, I was treated well by the old Chinese owner, who even gave me a packet of biscuits for free (for no other apparent reason than kindness). Hence the bit in SOL where Lee says to Matt: “Lucky you – free biscuits and you didn’t get murdered.”

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About the Author

Sean Michael Wilson/ Chie Kutsuwada
Sean Michael Wilson/ Chie Kutsuwada
SEAN MICHAEL WILSON is a comic book writer from Scotland, who now lives and works in Japan. He has had more than a dozen books published so far, from a variety of US, UK and Japanese publishers. Although also writing 'western' style graphic novels, such as adaptations of classical novels, he often works with Japanese and Chinese artists on manga style books. He is the editor of the influential collection 'Ax: alternative manga' (Top Shelf). Currently he is writing books for Kodansha International, being the only British comic book writer working with them. He has attempted to do comic books that are different from the normal superhero/fantasy brands, working with a variety of 'non-comic book' organisations in the process. His book with War on Want, 'Iraq:Operation Corporate Takeover' was reported on by a variety of mainstream agencies - such as Reuters, CCTV in China and several Middle Eastern magazines. His main influences remain British and American creators - such as Alan Moore, Grant Morrison, Eddie Campbell and Harvey Pekar. 'The Story of Lee' is his second published book working with artist Chie Kutsuwada, the first being 'Hagakure' (Kodansha International).

CHIE KUTSUWADA was born and brought up in Japan. After graduating from the Royal College of Art, she now lives and works in London as a manga artist. She also attends some manga-related events and runs manga workshops at schools, libraries, and museums around the UK, such as at British Libraries and the Victoria and Albert Museum. She usually creates story and illustration on her own like King of a Miniature Garden (2007), her first manga, but also works with story writers, such as on the adaptation of 'As You Like It' (2008 SelfMadeHero, London) by Shakespeare and the Japanese classic tale 'Hagakure' by T. Yamamoto (adapted by Sean Michael Wilson, 2010 Kodansha International, Tokyo).

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