NBM Review Round-Up!
Here are a few kind words about several of our titles:
“A moving story for all devoted pet owners and animal lovers.”
“The jokes are, for the most part, snarky, sarcastic, and clever…The plotline involving the mother falling in love with the recycling bin, for example, was a bit too out there…This collection is fun and funny, until it just got too weird for my taste. Kinky and Cosy are smart, cute, and a bit disturbing all at the same time.”
“As with the previous graphic novels in The Louvre Collection series, this fourth installment features well-rendered art and a compelling plot…Araki’s book will be relished by readers who are fans of the manga format, especially those interested in art and art collections.”
“An honest and non-ideological recounting of the facts of the case, told in a straight-forward manner with a minimum of sensationalism (and no invective). In the course of the unfolding story, Geary’s attention to detail is consistent and impressive. Not only does he present us with the evidence, but he also cites the source for that evidence, and raises the questions about its validity, and explains any misgivings about those questions. The illustrations, likewise, are strikingly literal, with just the right mix of minute detail on the one hand, and clarity and simplicity on the other.”
“I will be examining the first pages of random comics. Today’s page is from Brownsville, which was published by NBM… This is a graphic novel, so they don’t care about making you turn the page because you’re probably going to decide to buy this based on other considerations. But just because they don’t need to do it doesn’t mean they take the first page off. This page shows a lot in just five panels, and it hints at quite a bit to come. It’s well constructed, and leaves the reader wanting more. That’s how it’s done!”
“Things are constantly moving in this book, even if, like Salvatore discovers, all that movement wound up plopping him back at the beginning of the journey. De Crecy ensures the reader that the fruitlessness of Salvatore’s journey doesn’t extend to the entertainment value and sheer delight found in his cartooning.”