Stefan Blitz

NBM Review Round-Up!

August 23, 2013 by  
Filed under NBM Blog

Zombillenium

“This is an absolute comedy, and it’s a total riot. Zombillenium is nothing but fun, from its cute tongue-in-cheek moments to its laugh-out-loud humor. You don’t have to be a fan of zombies or anything like that to enjoy this graphic novel. If you’ve got a sense of humor, that’s all you need.”

MTV Geek

“Whatever dark dealings you think go on behind the doors and in the underground tunnels of Disneyworld, they’ve got nothing on the secrets of Zombillenium and its mysterious proprietor…de Pins’ work is fun, lively, and thoroughly funny, but a true sense of terror lurks just beyond the panels. The last page of the first volume ends with a perfect note of a very human monster showing us just how inhuman this story could truly be.”

New Jersey Online

“Before you think this is another book capitalizing on the zombie trend, it’s not. Zombillenium is an amusement park filled with entertaining staff members that are monsters.”

Fortress of Solitude

Philosophy – A Discovery in Comics

“Definitely recommended for those with an interest in graphic storytelling that goes beyond the usual genre work – or anyone who wants to bone up on the basics of Western thinking.”

The Seattle Post-Intelligencer

Omaha The Cat Dancer Volume 8

“It’s hard to imagine a combination of explicit sex and character development that would be less gratuitous. The characters in Omaha have sex because they are complicated, adult characters who do things that complicated adults do. It’s part of their lives, just like sleeping, eating, going to work, taking a walk, or breathing…Omaha is a wonderful character, and Omaha is a wonderful series.”

Comic Mix

“One of the seminal series that bridged underground with the new indie comics.”

Comics For Sinners

The P. Craig Russell Library of Opera Adaptations

P. Craig Russell's Opera Adaptations Hardcover set“Russell’s adaptations stay generally true to the story lines, though their panel serialization necessitates some liberties with the text. Their staging can be quite a bit more fantastic than what’s seen in the theater. Russell takes advantage of the graphic format to construct strong, detailed backgrounds.”

Santa Fe New Mexican

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