An Easter egg is: “an intentional inside joke, hidden message, or feature in a work such as a computer program, movie, book, or crossword.” I have hidden a few easter eggs in my books, and today, as we’re approaching Christmas, I’ll reveal some of them to you.
When you open Philosophy: a Discovery in Comics, the first thing you see is the endsheets (only in the US edition!). I have laid them out in a grid and filled them with pictures from the book:
But… wait a second! These are not ALL from the inside of the book! One of these is not like the others! It’s actually not even drawn by me! Can you tell which one it is?
This is Emma Ringelberg, who assisted me on the lettering of the english version. She’s a comic artist herself and makes really nice stuff, check out her blog.
On page 67 of Philosophy: a Discovery in Comics starts the chapter on Free Will, with an autobiographical scene about my time in America when I was a student. It opens with this picture:
Does that ring a bell with some of you who are autobiographical comics hoarders, like me? It should, because I drew it with this panel in mind:
Just one page further, page 68, is a dialogue between Yiri and me about Fate and Free Will:
Never have philosophical issues about Fate been better drawn in comics than by Bill Watterson in Calvin & Hobbes. I had this strip in mind when I drew mine, and had to stop myself from using the exact same phrasing “Too bad you were fated to do that”. That would just have been too obvious.
In Science: a Discovery in Comics you’ll find this scene of a fierce debate pro and con Darwin’s theory of Evolution, that took place in Oxford in 1860, and was attended by a crowd of interested people, eager to see sparks fly:
One of the people in the crowd is none other than Redmond O’Hanlon, the great novelist/adventurer who so much regrets not having been born in the nineteenth century.
(At the moment he’s back on Dutch TV with a superb series on 19th centuries heroes of his)
That’s all for now folks!
Have a happy holiday!