BROWNSVILLE by Neil Kleid and Jake Allen, a 200 page graphic novel about the Jewish Mafia, is now available to download and read directly on your mobile phone via NBM Publishing and Panelfly.com!
NBM Publishing is proud to announce partnering with Panelfly, the newly launched iPhone app that’s bringing the best graphic novels direct to you… instantly! Panelfly allows you to read your favorite graphic novels as the creators intended; you get full-page views, automatic panel navigation and more! You can purchase your comics using your iTunes account; tap the screen twice, and you’ll immediately have one of the world’s best graphic novels right in your hands.
NBM titles now available include the sold-out smash BROWNSVILLE by writer Neil Kleid, Jesse Lonergan’s powerful romantic drama FLOWER AND FADE, Swedish sensation Naomi Nowak’s UNHOLY KINSHIP, Rick Geary’s award-winning LINDBERGH CHILD and Shane White’s NORTH COUNTRY. All of these by authors NBM is publishing new titles from this fall. More titles will be added throughout the fall.
Each of these NBM graphic novels is available on your iPhone for $6.95 to $9.95, less than the paperbacks. Go straight to iTunes or to www.panelfly.com.
Stay tuned for further announcements of partnerships between NBM and leading E-Book and mobile download sites. “It’s clear this is the future where readers increasingly have a choice as to how they want to read their comics,” said NBM publisher Terry Nantier, “and we consider ourselves purveyors of graphic novels, not pushers of print publications. Any way you want a quality, engrossing novel-length comic, we’ll make that available, whether print or electronic.”
For further information, please contact our publicist, Marc Mason: email@example.com.
"Jewish gangster" isn’t a term you hear much in post-Holocaust society… but back when the Dodgers played in the East and licorice cost a penny a bag, Brooklyn corners were lousy with semitic young toughs looking for adventure and excitement – none more so than in Brownsville.
Follow the intertwined lives of Allie Tanennbaum, Abe Reles and scores of hoods organized by Louis Lepke Buchalter into the deadliest hit operation in Mafia history, "Murder, Inc.", as they escape the mean streets and lonely tenements of East New York., make themselves into the most dangerous men in America, only to eventually send their best friends and closest allies up the river.
Written by Xeric Award winner Neil Kleid and illustrated by Jake Allen, here’s what critics had to say about BROWNSVILLE:
"Forceful storytelling and deep passion for its characters and indeed for this dark chapter of Jewish-American history." -The Jewish Chronicle
"Smart, absorbing." - Booklist
"Beautifully moody evocation of a bygone Brooklyn inhabited by Jewish gangsters, Brownsville follows the career of some of the biggest names in the hoodlum business." -Publishers Weekly
"Weaves history and fiction into a visceral and moving story." -Miami Herald
"***1/2. NBM’s ComicsLit line delivers. As a history buff, I looked forward to this book written by Xeric Award winner Neil Kleid, and, once I had it in hand, it lived up to my lofty expectations." - Comics Buyer’s Guide
Before we even get to the reviews, head over to Comic Book Resources where Kiel Phegley interviews me up proper about THE BIG KAHN, my work and Jewish comix.
Publisher’s Weekly included the book in today’s book reviews saying that “The Big Kahn is not an easy book to read, especially given its underlying religious questions, but it is gripping”
Michael C Lorah reviews us for Newsarama’s Best Shots today, flattering us by saying “Kleid’s done some good comics work in the past, but The Big Kahn is his new gold standard”, “Cinquegrani’s visual storytelling is good. Sticking to clear grids, he clearly moves the narrative forward and does a good job with backgrounds and layouts” and that “it all adds up to something that resembles a great American novel.” He ends with “The Big Kahn is going to make some Best Of 2009 lists, and it deserves to do so… handles the complications of family with a caring and intelligent touch, giving closure without providing easy or pat answers. The Big Kahn is a good, good comic, and you should read it.”
Finally, retailer Ralph Mathieu at Alternate Reality Comics reviewed the book at his blog, Ich Liebe Comics, and got us thinking when he finished with “I’m sure that Hollywood option people will be calling in short order to try to secure the rights to film The Big Kahn.”
"The News: Writer Neil Kleid‘s and artist Nicolas Cinquegrani‘s The Big Kahn is due out at the end of the month. Why You, Non-Comics-Geek, Should Care: Smart people who’ve seen the book — about a rabbi’s family that discovers, upon his death, that he wasn’t Jewish — are talking it up like crazy." — Glen Weldon, NPR
"Calvin Reid of PW suggested Neil Kleid’s new book as one that should come out of CCI with more buzz than it might actually be able to generate in these star-driven times." — Tom Spurgeon, The Comics Reporter
As most of you know, I attended the big San Diego Comic-Con this past weekend in order to a) promote my new book, The Big Kahn, coming out next week from NBM Publishing, b) sign copies of Creepy Comics #1 for Dark Horse Comics, which hit stores last week, c) meet with editors, producers and would-be colleagues and d) get drunk and silly.
Every convention, I tell myself I’ll be taking it easy — a few signing times, one or two meetings and that’s it. This year, I loaded myself up with Kahn signings, one Creepy signing and only one comic book meeting… and then found myself drowning under the weight of meetings with THEM. Hollywood came calling this year, and despite my promise to keep a light schedule, within the space of a day I found every single hole during my day-to-day filled with meet and greets, pitch meetings and the like. Once again, I ran the floor from signing to panel to meeting to signing… but I still managed to see a lot of the show and have a damn good time doing it.
Hey, I was interviewed this past week for the San Francisco Jewish Weekly’s Comix Friday column and the first part went live HERE. Next week, we expand on THE BIG KAHN in detail.
“If you do know what you’re doing, art can be a little more tedious than writing. I can write a 200-page graphic novel in three months. That same graphic novel will take an artist three years to draw. Plus, as an artist, working with a writer, you’re really trying to get the writer’s vision out there. And I know for myself, I’m the worst writer to work with, because I know exactly what I want on the page.”
Here’s where’ll you’ll find me at the show… might have 50 or so stickers with me for lucky consumers… working on them tonight.
Sometimes I wish I had more time to blog these days… but when I’m absent, you all know it’s because I’m doing the work, right? Right.
And, oh what work there is. To quickly update you, THE BIG KAHN has been sent to the printer and will be hitting your local comic stores at the end of the month—-we’re debuting the book at San Diego Comic Con in two weeks, and then it comes to Amazon and bookstores in September. I’ve got a few interviews about to pop in the next two weeks and I’ll keep you updated here. Apart from that, I’m working hard to have the first draft of AMERICAN CAESAR, my next NBM book, done before I fly to San Diego but it ain’t likely… too much excitement and prep for the con!
To promote THE BIG KAHN (which looks ay-mazing, by the by), I’ll be appearing as a guest on tomorrow night’s edition of the Comic Book Club, NYC’s long-running weekly comic book talk show featuring the best comedians in New York talking shop with industry professionals from all corners of the comic book world. Hosted by Justin Tyler, Pete LePage, and Alex Zalben, the show details are:
CBC, July 14th show
@ The People’s Improv Theatre
23rd Street between 6th and 7th Avenue
8pm – Tickets only 5 BUCKS
More information: http://www.popcultureshock.com/cbclub
And don’t forget I’ll be attending this year’s San Diego Comic-Con, showing up Thursday, July 23rd and leaving Sunday, July 26th. While I’m there, I’ll be promoting THE BIG KAHN, catching up with old pals and editors, drinking, and maybe actually seeing some of the city this time around. I’ll post my signing schedule here soon… but for now, just know I’ll be there ready to schmooze, sell, sign and sketch.
The fine people at Comic Book Resource’s Robot6 blog are doing a before/after interview thing with me about my upcoming trip to the San Diego Comic Con. Check it out for a bit about what I’m getting up to at the con and a bit of advice on how to approach editors.
Hope to see you tomorrow night!
So, with THE BIG KAHN a month from dropping in your hot little hands, I thought I’d duck in here and tease my third NBM book a little, currently titled “AMERICAN CAESAR.”
It’s interesting; BIG KAHN was written before BROWNSVILLE, my first book, and CAESAR was actually penned even before that, but as both a stage play and graphic novel. At the time, I was involved in a local theatre troupe on the Upper East Side where we took the Bard’s more popular works (as well as a few Chekovs and Dickens…es) and reimagined them for various genres and time periods, much like many film versions of old Will’s plays and passages. We set “Midsummmer Night’s Dream” in Central Park, “Macbeth” in Peron’s Argentina, “Romeo and Juliet” in a trailer park, “Merchant of Venice” in 1945 Poland, and “Merry Wives of Windsor” in a seventies-Three’s Company style suburban sitcom. Oh, we also did a mafia version of “Julius Caesar,” my favorite Shakespearean play, in which I portrayed a Silvio Dantesque mob capo who survives the gunplay and helps icepick Cicero in a strip club. Classy.
But I’d always wanted to do Caesar a different way—to me, the intrigue, backstabbing, ambition and greed of the Roman Senate always set me in the mind of Gordon Gecko, Wall Street, the end of the 1980s/beginning of the Nineties and all that corporate America represents. Julius—I’m sorry, JULIAN—Caesar, captain of industry, backstabbed by the bloodthirsty young executives desperate to climb the corporate ladder. How could I resist?
But a play or a comic? Tread the boards or fill the panels? In the end, I wrote it both ways.
In 2005, I was fortunate to hook up with another production company that wanted to workshop the play and after three months of sets, planning, costumes and rehearsals, AMERICAN CAESAR ran for a week at the Second Stage theatre to good reviews.
But a lot of the play had to be edited for technical reasons: on stage, we could only shatter a window so many times. We couldn’t use the technical morays involved with the presentation of Caesar’s ghost. And truthfully, the director cut out alot of my story for her own vision, casting aside scenes and conversations that wouldn’t play on stage that might on paper.
And so, to Rome.
Presently, I’m working through my second redraft of the 128 page graphic novel and while we’re making offers to a few artists, we’re stilling casting about for my collaborator. We’re hoping to have this one out next year, but it truly depends on timing, schedules and the like… but here’s a quick peek at a page:
Page 44 (5 PANELS)
Caesar turns to the table, explaining his position.
CAESAR: MALCOLM SILVER MISHANDLED DECIUS SOFTWARE; ROME LOST A FORTY-FIVE MILLION DOLLAR COMPANY TO MICROSOFT AND THOUSANDS OF JOBS WITH IT.
CAESAR: IT WAS A BUSINESS DECISION, MICHAEL, AND HAD TO BE MADE.
DAVIS (OP): THE DEADLINE WAS TIGHT, JULIAN, AND THEIR BUDGET WAS –
Caesar turns to Davis and BREUER, who are pleading. He points a finger, adamant. Cassius has his head down, staring at his lap.
CAESAR: NONE OF MY CONCERN. THAT’S SOMETHING HE SHOULD HAVE CONSIDERED.
CAESAR: I WON’T BE SWAYED ON THIS. KEEP IT UP, MICHAEL, AND YOU’LL JOIN YOUR BROTHER AT THE UNEMPLOYMENT OFFICE.
Close on a pissed Silver, hands cleched, white-knuckled.
SILVER: AND IS THAT THE SORT OF TYRANNY WE SHOULD EXPECT FROM NOW ON?
CAESAR (OP): TYRANNY?
Caesar leans in to Silver, getting in his face. Silver rises a little – they are facing off with one another.
CAESAR: THAT’S LEADERSHIP! MAKING HARD DECISIONS IS NO EASY TASK, BUT I MAKE THEM FOR THE SAKE OF THE COMPANY. HOW ELSE WILL ROME SURVIVE?
SILVER: SO LET’S BE CLEAR. THE POLICY IS ZERO TOLERANCE? FAIL, CHEAT, STEAL AND YOU’RE OUT?
Caesar pulls away, collecting himself.
CAESAR: ABSOLUTELY. EXCEPTIONS LEAD TO PRECEDENTS AND THAT LEADS TO ANARCHY. ROME WASN’T BUILT IN A DAY; YOU CAN BE DAMN SURE I WON’T LET IT FALL IN A WEEK.
DAVIS (OP): BUT JULIAN, SURELY YOU –
CAESAR: I SAID ENOUGH, DAVIS.
Neil Kleid’s AMERICAN CAESAR. Coming from NBM Publishing in the near future.
Just chiming in to remind you that the month of May is almost over and with retailers finalizing their orders, it’s time to get in your preorder for THE BIG KAHN, my new graphic novel for NBM Publishing using Diamond Order Code MAY090988
Rabbi David Kahn has lived a forty-year lie: he is not, nor has he ever been, Jewish. When at his funeral, the “rabbi’s” grifter brother reveals the truth, it forces the Kahn family to struggle with grief and betrayal as their congregation examines their every move and they question their very faith. Rabbi Avi Kahn, the heir apparent whose future is on the line, spirals into a tryst with his rebellious sister Lea’s non-Jewish roommate. Lea rethinks the religion she’s run from, religion strong enough to alter her father’s life, while Eli — the youngest Kahn — inherits his father’s long-forgotten legacy. Somehow, with the help of the uncle he never knew and his slowly re-awakening sister, Eli attempts to return faith and order to his family, community while reinstating his father’s good name. This July explore a family secret so well-hidden, even the family didn’t know about it until it was too late.
Illustrated by Nicolas Cinquegrani and hitting shelves in July, THE BIG KAHN, a 176 page black and white graphic novel, is currently available to preorder via Diamond Comics Distributors (Order Code; MAY090988) and through bookstores (ISBN 978-1-56163-561-0) at the low price of $13.95.
Click here for a ten page selection from the book, available at the NBM website
Created this fun little animated banner tonight. Help spread the word by posting it on your site, blog or Facebook page and get folks to head to the NBM site to preorder THE BIG KAHN:
This July, explore a family secret so well-hidden, even the family didn’t know about it until it was too late
PREORDER THE BIG KAHN, Neil Kleid & Nico Cinquegrani’s new graphic novel today!
Rabbi David Kahn has lived a forty-year lie: he is not, nor has he ever been, Jewish. When at his funeral, the “rabbi’s” grifter brother reveals the truth, it forces the Kahn family to struggle with grief and betrayal as their congregation examines their every move and they question their very faith. Rabbi Avi Kahn, the heir apparent whose future is on the line, spirals into a tryst with his rebellious sister Lea’s non-Jewish roommate. Lea rethinks the religion she’s run from, religion strong enough to alter her father’s life, while Eli —the youngest Kahn—inherits his father’s long-forgotten legacy. Somehow, with the help of the uncle he never knew and his slowly re-awakening sister, Eli attempts to return faith and order to his family, community while reinstating his father’s good name.
Neil Kleid, Xeric Award winning author of Ninety Candles and NBM’s Brownsville, and illustrator Nicolas Cinquegrani offer THE BIG KAHN, a graphic novel drama about loss, lies, belief and renewal in this sequential exploration of a family secret so well-hidden, it questions the very nature of faith. Hitting shelves this July, THE BIG KAHN, a 176 page black and white graphic novel, is currently available to preorder via Diamond Comics Distributors (Page 271, Order Code; MAY090988) and through bookstores (ISBN 978-1-56163-561-0) at the low price of $13.95.
Dean Haspiel (THE ALCOHOLIC, STREET CODE) had this to say about THE BIG KAHN: “Does honoring tenets of a religion admonish the dishonor of heritage? Does the wisdom of experience overrule the righteousness of blood? Profound answers are discovered in the subtlety of behavior and the struggles of the heart in this modern dilemma of difference versus acceptance.”
Diamond Distributors is also re-offering BROWNSVILLE for a limited time, Neil Kleid’s first book with artist Jake Allen about the Jewish gangsters of Murder Incorporated.
“Jewish gangster” isn’t a term you hear much in post-Holocaust society… but back when the Dodgers played in the East and licorice cost a penny a bag, Brooklyn corners were lousy with semitic young toughs looking for adventure and excitement – none more so than in Brownsville. Follow the intertwined lives of Allie Tanennbaum, Abe Reles and scores of hoods organized by Louis Lepke Buchalter into the deadliest hit operation in Mafia history, “Murder, Inc.”, as they escape the mean streets and lonely tenements of East New York., make themselves into the most dangerous men in America, only to eventually send their best friends and closest allies up the river.