Arthur magazine has just posted a great interview and overview of Marc Antoine Mathieu’s work and especially his latest Museum Vaults we published, part of the Louvre collection of graphic novels presently in exhibit at the Louvre itself, see this previous blog entry on that. The piece is written by author Sasha Watson (Vidalia in Paris), her […]
“Trondheim creates autobiographical sketches with a Seinfeld-ian mania for capturing the quotidian details of normal life, particularly its irritations. [His] light wit and springlike watercolor tones give even the most curmondgeonly observations a lilting and jesting flair.” So says Publishers Weekly, this week, about Trondheim’s latest Little Nothings volume. Meantime, School Library Journal has this […]
“The mystery is involving and proceeds at a sprightly pace. It’s refreshing to see a sex-positive story and heartening to see a female lead character who’s quick-witted and brave. There’s no American analogue for this kind of breathless comic book mystery. It’s all so perfectly French.” …says The Stranger of Seattle about Miss Don’t Touch […]
Lewis Trondheim’s Little Nothings: The Prisoner Syndrome (which is vol.2) has a review coming from Booklist: “Trondheim thinks hard about his surroundings and communicates his musings just glibly enough to invite readers to pause and think as well as enjoy his Everyman worries.”
Another interview is up with more insight from David B on his creative process behind Nocturnal Conspiracies at Graphic Novel Reporter. Also, Publishers Weekly reviews the book this week both in the mag and in their weekly comics newsletter saying “it makes for a gorgeous, mysterious volume.”
Just Sunday, The L.A. Times had this to say about our Nocturnal Conspiracies: “Overall, the drawings create an anxious, voyeuristic intimacy, as if we are peering through a window unseen. “Nocturnal Conspiracies continues the emotional and artistic work of “Epileptic”, stripping the art -and the artist- down to raw process.” Why I Killed Peter gets […]
The magazine ‘Teacher Librarian’ has some good things to say of two of our books: For The Lindbergh Child: “The tension between Geary’s newspaper-style captions and the devastated people he describes produces a story that is simultaneously factual and poignant.” For Bluesman: “A moody masterpiece of fiction.”
Publisher’s Weekly has this week given a starred review for Why I Killed Peter, calling it “hauntingly evocative. Ka is unable to ignore his past any longer and decides to tell his story, teaming with artist Alfred to create a graphic memoir. Alfred’s blending of ink drawings and digital photographs in the final gut-wrenching scenes […]
“Each mini-episode manages to be informative, entertaining, and a bit puzzling, too, by design. Throughout, Schwieger shows both funky humor and affectionate awe toward this alien culture immersing him.” so says Library Journal about Moresukine.
“Miss Don’t Touch Me (NBM Publishing) is really nothing more than a murder mystery and period piece, but it sure is a good one—so good, in fact, that you may find yourself needing to be reminded how un-ambitious an unpretentious it actually is. ” See the full review on Newsarama.