June 21, 2009 by Ted Rall
My next animated editorial cartoon tackles the autoerotic asphyxiation crisis. Michael Hutchence. David Carradine. Who will be next?
June 19, 2009 by NBM
Three reviews of note have appeared recently:
“This is an outstanding Dungeons and Dragons parody that serves as a stand-alone story. Readers will be entertained, even those unaccustomed to comic fantasy fiction. These anthropomorphic characters are well drawn, and the snappy dialogue is craftily paired with Boulet’s stunning imagery.“
School Library Journal on Dungeon Zenith vol.3
“Geary fathoms what makes comics such an ideal form for true crime lovers. I know there are true crime readers out there who like to be disciplined by their authors, who like to be told who done it and why, and I suppose such readers won’t appreciate Geary’s adamant refusal to direct our conclusions. But Geary understands that the real pleasure of reading history, criminal cases, and comics is that we aren’t rendered passive. And he recognizes that the discomfit we feel from not knowing all the answers can be assuaged only by knowing more, always more. Geary’s mastery—as both artist and storyteller—is allowing us to feel comfortable in our uncertainty by describing it with precise detail. In this way, his slender books written in formulaic style brilliantly capture not only the historical moments he records within their own pages, but our own. “
Publishers Weekly on Mijeong
June 19, 2009 by shane white
This was something I considered as well something a little more broad to evoke atmosphere. Color shifts and temperature changes would have been fun and kept things simple, but in the end I decided to go with this:
Next week I’ll get back to talking about character development for THINGS UNDONE.
June 19, 2009 by Ted Rall
June 15, 2009 by NBM
Marc Mason at Comics Waiting Room has just reviewed two of our recent books:
“MIJEONG is a stunning Korean manhwa. The ending packs a powerful one-two punch and sticks with you far beyond when you put the book down. Each tale in the book has at least some merit to it, as even the weaker ones are accompanied by Byung-Jun’s stunning artistic talents- this is an amazing looking book. This is a versatile and talented creator and I’d be interested in seeing more of his work.”
“Even more visually stunning is ARLENE’S HEART by Victoria Frances. Frances’ artwork is astonishing to behold- there were countless pages that I couldn’t help but wonder how they’d look framed and on a wall. Quite an unusual reading experience.”
June 15, 2009 by Jesse Lonergan
One of the things I always get asked when I tell people my new book is about Turkmenistan is if Turkmenistan is a Muslim country. It borders on Iran and Afghanistan and like both those countries the majority of Turkmen would claim to be Muslim. Unlike those two countries Turkmenistan was under Soviet rule for most of the twentieth century. There was a strong Russian influence and as a result almost all the men I knew drank. One evening I was drinking vodka with cubes of pork fat for chasers. I asked the men around me whether they were Muslim and they all said yes. I then asked them about the vodka and the pork and they waved their hands and said they were “modern Muslims.”
So Islam really doesn’t come up too often in my book. In fact it’s only mentioned once in the whole story. In this panel and the one that immediately follows it.
June 15, 2009 by Ted Rall
June 15, 2009 by Ted Rall
June 14, 2009 by Neil Kleid
So, with THE BIG KAHN a month from dropping in your hot little hands, I thought I’d duck in here and tease my third NBM book a little, currently titled “AMERICAN CAESAR.”
It’s interesting; BIG KAHN was written before BROWNSVILLE, my first book, and CAESAR was actually penned even before that, but as both a stage play and graphic novel. At the time, I was involved in a local theatre troupe on the Upper East Side where we took the Bard’s more popular works (as well as a few Chekovs and Dickens…es) and reimagined them for various genres and time periods, much like many film versions of old Will’s plays and passages. We set “Midsummmer Night’s Dream” in Central Park, “Macbeth” in Peron’s Argentina, “Romeo and Juliet” in a trailer park, “Merchant of Venice” in 1945 Poland, and “Merry Wives of Windsor” in a seventies-Three’s Company style suburban sitcom. Oh, we also did a mafia version of “Julius Caesar,” my favorite Shakespearean play, in which I portrayed a Silvio Dantesque mob capo who survives the gunplay and helps icepick Cicero in a strip club. Classy.
But I’d always wanted to do Caesar a different way—to me, the intrigue, backstabbing, ambition and greed of the Roman Senate always set me in the mind of Gordon Gecko, Wall Street, the end of the 1980s/beginning of the Nineties and all that corporate America represents. Julius—I’m sorry, JULIAN—Caesar, captain of industry, backstabbed by the bloodthirsty young executives desperate to climb the corporate ladder. How could I resist?
But a play or a comic? Tread the boards or fill the panels? In the end, I wrote it both ways.
In 2005, I was fortunate to hook up with another production company that wanted to workshop the play and after three months of sets, planning, costumes and rehearsals, AMERICAN CAESAR ran for a week at the Second Stage theatre to good reviews.
But a lot of the play had to be edited for technical reasons: on stage, we could only shatter a window so many times. We couldn’t use the technical morays involved with the presentation of Caesar’s ghost. And truthfully, the director cut out alot of my story for her own vision, casting aside scenes and conversations that wouldn’t play on stage that might on paper.
And so, to Rome.
Presently, I’m working through my second redraft of the 128 page graphic novel and while we’re making offers to a few artists, we’re stilling casting about for my collaborator. We’re hoping to have this one out next year, but it truly depends on timing, schedules and the like… but here’s a quick peek at a page:
Page 44 (5 PANELS)
Caesar turns to the table, explaining his position.
CAESAR: MALCOLM SILVER MISHANDLED DECIUS SOFTWARE; ROME LOST A FORTY-FIVE MILLION DOLLAR COMPANY TO MICROSOFT AND THOUSANDS OF JOBS WITH IT.
CAESAR: IT WAS A BUSINESS DECISION, MICHAEL, AND HAD TO BE MADE.
DAVIS (OP): THE DEADLINE WAS TIGHT, JULIAN, AND THEIR BUDGET WAS –
Caesar turns to Davis and BREUER, who are pleading. He points a finger, adamant. Cassius has his head down, staring at his lap.
CAESAR: NONE OF MY CONCERN. THAT’S SOMETHING HE SHOULD HAVE CONSIDERED.
CAESAR: I WON’T BE SWAYED ON THIS. KEEP IT UP, MICHAEL, AND YOU’LL JOIN YOUR BROTHER AT THE UNEMPLOYMENT OFFICE.
Close on a pissed Silver, hands cleched, white-knuckled.
SILVER: AND IS THAT THE SORT OF TYRANNY WE SHOULD EXPECT FROM NOW ON?
CAESAR (OP): TYRANNY?
Caesar leans in to Silver, getting in his face. Silver rises a little – they are facing off with one another.
CAESAR: THAT’S LEADERSHIP! MAKING HARD DECISIONS IS NO EASY TASK, BUT I MAKE THEM FOR THE SAKE OF THE COMPANY. HOW ELSE WILL ROME SURVIVE?
SILVER: SO LET’S BE CLEAR. THE POLICY IS ZERO TOLERANCE? FAIL, CHEAT, STEAL AND YOU’RE OUT?
Caesar pulls away, collecting himself.
CAESAR: ABSOLUTELY. EXCEPTIONS LEAD TO PRECEDENTS AND THAT LEADS TO ANARCHY. ROME WASN’T BUILT IN A DAY; YOU CAN BE DAMN SURE I WON’T LET IT FALL IN A WEEK.
DAVIS (OP): BUT JULIAN, SURELY YOU -
CAESAR: I SAID ENOUGH, DAVIS.
Neil Kleid’s AMERICAN CAESAR. Coming from NBM Publishing in the near future.
June 13, 2009 by shane white
This was my first attempt at coloring Things Undone. It was a test page synopsis that I made up on the fly. I wanted to see how whacked out, relaxed and anachronistic I could color it without any hard and fast rules. While fun, it also seemed like it would still take longer than I wanted to spend on it.
All told it didn’t really add much to the story.
Okay I’ll admit…it was just too damn time-consuming!