August 4, 2009 by NBM
“The gags are funny and well-designed, with a freewheeling spirit that’s held up well over the past century.”
Sequential Tart also says of it:
“I began to appreciate the inventiveness of the comic, despite always following the same basic situation. Clashes between classes as a source of humor has always been around, and is still around today. That the strip was able to find endless variations of this impressed me.
The drawing of the comic also impressed me. It didn’t strike me immediately, but it is a sophisticated, well-drawn comic that obviously entertained folks for quite a long time. I was also was surprised by realizing that while Jiggs is the butt of the jokes of the strip, you really get the impression it is the high society that is the target…”
August 3, 2009 by Jesse Lonergan
My book Joe and Azat ends with a big wedding, and while I was in Turkmenistan I went to a lot of weddings. I also got a fair amount of pressure to get married. People who had known me for only five minutes would find out I was twenty-seven and immediately tell me I should get married. Most of the time they also just happened to have the perfect girl for me.
People married young in Turkmenistan, and there really wasn’t much in the way of dating. Girls were supposed to be virgins, and if they weren’t they were ruined. So the average Turkmen girl would wait until she was married to have sex. Which puts so much pressure on that night. I don’t know about anybody else, but I was nervous the first time and it was just me and a girl. I can’t imagine having this big celebration focused on me with some two hundred fifty close friends and family all making toasts to me, everybody looking, everybody knowing what was going to happen that night. I don’t know if I could deal with sending out a save the date card for the night I lost my virginity.
If I woman said she was married in Turkmen, the little translation was that her life had been changed.
Check out the book coming out in September. Check out my blog, too.
August 3, 2009 by NBM
Xaviera Hollander, author of the best-selling “The Happy Hooker” (which sold 16 million copies) and helped to revolutionzie attitudes on sex, has provided the introduction to Ted Rall’s forthcoming The Year of Loving Dangerously (shipping in October and being solicited in comics stores now).
Mentioning her own experience running a brothel in New York in the seventies and being proud of it she says:
“Ted didn’t take money for sex, but in Manhattan a place to spend the night is the next best thing to cash—and that’s what he wanted, and consistently got, for over a year until he landed back on his feet. His is an unusual story for its honesty. But I’m willing to bet it’s anything but uncommon in its frequency.
“What makes “The Year of Loving Dangerously” interesting is that, unlike the work of many cartoonists, he is not a shoe-gazer. He is not socially awkward, writing about his inability to get a date, much less get laid on a Saturday night. Like my attitude as “The Happy Hooker,” Ted didn’t feel wallow in self-pity. To the contrary, he embraced life and sex, even when they came about in less than conventional ways. He loved and respected women and loved every minute of his sexual adventures. He was not a cad. He was a lover. The fact that he did it to survive doesn’t change that.
“The Year of Loving Dangerously” may be the first sex-positive book written by a typical, well-adjusted, heterosexual American man.”
See the previews.
August 3, 2009 by NBM
Neil Kleid’s and Nicolas Cinquegrani’s The Big Kahn built up some good buzz in San Diego with Publishers Weekly telling others this may be the sleeper of the show.
The site Comic Book Resources posted a follow-up interview with Neil who provides some fun background on this.
By the way, the book has shipped from our warehouse and will hit stores within the next week or two!
July 31, 2009 by NBM
THE YEAR OF LOVING DANGEROUSLY
Ted RALL & Pablo CALLEJO
Here’s a new turn for the controversial cartoonist and commentator Ted Rall. Not only is this autobiographical but he has paired up with the acclaimed artist of Bluesman and The Castaways for fully painted art.
It’s the eighties and Ted is in college in New York City and slipping. His pranks, lack of focus and restlessness get him kicked out of school. Unable to find a job, rejected by his parents, he’s on the verge of suicide. Instead he finds comfort in the arms of many women he meets casually and puts up a front for. Hey, better than being homeless and begging, but then… is it? It may sound like an ideal grift but the toll is much higher than one may imagine.
Between acidly funny and disturbingly real, Rall, a cartoonist whose work has alienated half the world, pours out his guts on a hard turning point in his life. Callejo adopts a new fully painted color style for this work, showing his versatility.
6×9, 128pp., full color, clothbound: $18.95, ISBN 978-1-56163-565-8
WHAT ALLISON BECHDEL SAYS OF IT:
“Ted Rall is fearless. In The Year of Loving Dangerously, he turns his formidable journalistic skills on a very rich subject–himself. The memoir is not just a revealing and entertaining account of Rall’s
misspent youth, but a gritty, alternative take on Manhattan in the boom years of the eighties.”
See Rall’s blog and bio.
Also, this month, you gotta check this out, this guy’s unbelievable:
NBM launches a stunning new talent whose art is a hilariously grotesque cross between Ralph Steadman, Basil Wolverton and Chester Gould’s bad guys in a resolutely lowbrow sendup of blaxpoitation films. When a crime boss’ daughter turns up missing, who’s he gonna call? Boss Karate Black Guy Jones, that’s who, chump!! The two-fisted, karate chopping, crime solving machine is kicking ass and taking names from the gutters of Baltimore all the way to the streets of Rome. No dog’s too big for this cat to take down! Mimes, clowns, drunks, pizza, donkeys, pornography, gambling! Vatican Hustle has it all!
6×9, 132pp., B&W trade pb.: $11.95, ISBN 978-1-56163-571-9
See a lot more about this on Houston’s blog including his bio.
Finally, EUROTICA presents the latest by the best-selling NOE (Convent of Hell, Piano Tuner):
Aldana is the luscious curvy maid to a very horny guy and she is incessantly horny for him. Will she ever get him to do her? He does just about every other girl and she’s just going insane seeing it all.
81/2 x 11, 48pp, full color trade pb.: $11.95, ISBN 978-1-56163-575-7
See more about it. (click on the Coming in October banner on the main Eurotica page).
July 29, 2009 by Neil Kleid
"The News: Writer Neil Kleid‘s and artist Nicolas Cinquegrani‘s The Big Kahn is due out at the end of the month. Why You, Non-Comics-Geek, Should Care: Smart people who’ve seen the book — about a rabbi’s family that discovers, upon his death, that he wasn’t Jewish — are talking it up like crazy." — Glen Weldon, NPR
"Calvin Reid of PW suggested Neil Kleid’s new book as one that should come out of CCI with more buzz than it might actually be able to generate in these star-driven times." — Tom Spurgeon, The Comics Reporter
As most of you know, I attended the big San Diego Comic-Con this past weekend in order to a) promote my new book, The Big Kahn, coming out next week from NBM Publishing, b) sign copies of Creepy Comics #1 for Dark Horse Comics, which hit stores last week, c) meet with editors, producers and would-be colleagues and d) get drunk and silly.
Every convention, I tell myself I’ll be taking it easy — a few signing times, one or two meetings and that’s it. This year, I loaded myself up with Kahn signings, one Creepy signing and only one comic book meeting… and then found myself drowning under the weight of meetings with THEM. Hollywood came calling this year, and despite my promise to keep a light schedule, within the space of a day I found every single hole during my day-to-day filled with meet and greets, pitch meetings and the like. Once again, I ran the floor from signing to panel to meeting to signing… but I still managed to see a lot of the show and have a damn good time doing it.
July 27, 2009 by Jesse Lonergan
When I tell people my book is about the Peace Corps, they tend to think it’s a book about living in some hut with no electricity and no running water, which is pretty inaccurate. There was electricity. There were televisions. There were tons of satellite dishes. I probably drank more Coco-Cola and ate more Snickers bars there than I ever had before or since. It wasn’t the complete isolation that some people expect.
What amazed me was what came to Turkmenistan from America. There were music videos with all the bumping and grinding. There were action movies with all sorts of guns and explosions. There were horror movies with the chesty heroine in the tank top getting more and more blood covered as it went on. There was no Woody Allen. There was none of the music I like (part of this is because action, horror and sex translate really easy while metaphors and lines like, “we can walk to the curb from here,” do not). It was all the garbage that America spews out (I mean straight to video stuff)(think Shark Attack 3). Which left Turkmen with some pretty odd impressions of what America was like. Based on action movies a lot of people were under the impression that every one in America has guns. I was regularly asked how many guns I had and how many high speed chases I’d been in. When I replied that I had no guns and didn’t even own a car they looked at me strangely, as if they doubted I were really an American. Many men were also under the impression that you could go to any bar in America and have sex with any of the girls there. They were so let down when I explained that was not the case (maybe some slick pick up artist can do it)(but not the guys I was hanging out with).
Probably the best question I ever got was while I was watching Lethal Weapon 4 and during some chase scene a cop car leaped off the interstate and into the third story of a buidling and ended up driving all the way through the floor and launching out the other side and back onto the interstate. In complete earnest I was asked, “Would insurance pay for that?”
When I explained that none of the things they saw in American movies was real, people always seemed confused. I was asked why America made itself look so bad in the movies.
They were never satisfied with, “It’s just entertainment.”
Check out Joe and Azat in September for more about Turkmenistan and what it’s like to be an American there. Check out my blog, too. Check out Run To Your Grave by the Mae Shi as well. It’s my new favorite song.
July 27, 2009 by NBM
Booklist reviews our Bringing Up Father collection:
“One of the most popular and longest-running comic strips. Soon, McManus would develop into one of the funnies’ leading stylists.”
And Publishers Weekly this week says of Geary’s new Famous Players:
“His quirky b&w ink drawings are full of expression, recalling the melodrama of silent films.”
July 21, 2009 by Ted Rall
My graphic novel with Pablo G. Callejo, The Year of Loving Dangerously, is finished! The artwork is done, edits are underway, and Mikhaela Reid is working on the back cover.
July 21, 2009 by NBM
“Another winning true-crime volume from Rick Geary. No surprise there, as Geary’s made a long and successful career of this type of comics.
In addition to presenting all the evidence in a clear and precise narrative, Geary’s art is perfectly suited to this type of factual accounting. His representational pen-and-ink drawings couch the events in historically accurate and detailed drawings of the world and times of the murder.
He’s a splendid visual storyteller, moving his “camera” around to capture aspects of a crime scene perfectly. Hand-drawn diagrams enforce key points, such as the approach the murderer likely took to Taylor’s house or the angle of the bullet when it penetrated the victim’s coat and vest.”